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Between Babel and Beast
(America and Empires in Biblical Perspective)
The Glory of Kings: A Festschrift for James B. Jordan
Fyodor Dostoevsky
(Christian Encounters Series)
Athanasius
(Foundations of Theological Exegesis and Christian Spirituality)
The Four: A Survey of the Gospels
Defending Constantine: The Twilight of an Empire and the Dawn of Christendom
From Behind the Veil: The Epistles of John
Deep Exegesis:The Mystery of Reading Scripture
1 & 2 Kings
Brazos Theological Commentary
The Promise Of His Appearing: An Exposition Of Second Peter
A Great Mystery: Fourteen Wedding Sermons
Deep Comedy: Trinity, Tragedy, And Hope In Western Literature
Miniatures & Morals: The Christian Novels of Jane Austen
The Priesthood of the Plebs: A Theology of Baptism
A Son To Me: An Exposition of 1 & 2 Samuel
From Silence to Song: The Davidic Liturgical Revolution
Ascent to Love: A Guide to Dante's Divine Comedy
Blessed Are the Hungry: Meditations on the Lord's Supper
A House For My Name: A Survey of the Old Testament
Heroes of the City of Man: A Christian Guide to Select Ancient Literature
Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays
Wise Words: Family Stories That Bring the Proverbs to Life
The Kingdom and the Power: Rediscovering the Centrality of the Church
When Yahweh urges Israel to “go forth from Babylon” and “flee from the Chaldeans,” He also exhorts them sing and shout (Isaiah 48:20).
The songs of deliverance are not merely expressions of joy, though they are obviously that. They are also declarations of Yahweh’s redemption. The text uses three verbs to describe what the singing is to accomplish: By singing, Israel is to announce (nagad), “cause to hear” (hiphil of shama), and “cause to go forth” (hiphil of yatza’). The message announced, heard, going forther is “Yahweh has redeemed His servant Jacob.”
Singing declares God’s acts. Song is evangelism.
posted by Peter J. Leithart on Friday, October 26, 2012 at 7:43 am
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