Between Babel and Beast
(America and Empires in Biblical Perspective)

The Glory of Kings: A Festschrift for James B. Jordan

Fyodor Dostoevsky
(Christian Encounters Series)

Athanasius
(Foundations of Theological Exegesis and Christian Spirituality)

The Four: A Survey of the Gospels

Defending Constantine: The Twilight of an Empire and the Dawn of Christendom

From Behind the Veil: The Epistles of John

Deep Exegesis:The Mystery of Reading Scripture

1 & 2 Kings
Brazos Theological Commentary

The Promise Of His Appearing: An Exposition Of Second Peter

A Great Mystery: Fourteen Wedding Sermons

Deep Comedy: Trinity, Tragedy, And Hope In Western Literature

Miniatures & Morals: The Christian Novels of Jane Austen

The Priesthood of the Plebs: A Theology of Baptism

A Son To Me: An Exposition of 1 & 2 Samuel

From Silence to Song: The Davidic Liturgical Revolution

Ascent to Love: A Guide to Dante's Divine Comedy

Blessed Are the Hungry: Meditations on the Lord's Supper

A House For My Name: A Survey of the Old Testament

Heroes of the City of Man: A Christian Guide to Select Ancient Literature

Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays

Wise Words: Family Stories That Bring the Proverbs to Life

The Kingdom and the Power: Rediscovering the Centrality of the Church
In Isaiah 46:11, Yahweh announces that He is bringing a bird of prey from the east to do all his counsel and pleasure. It is a “man,” a reference back to Cyrus, the Shepherd who does all Yahweh’s pleasure (44:28).
This is proof of the kind of God Yahweh is, a point that He makes explicitly in the following lines:
A. Surely I speak
B. Surely I cause it to come
A’. I form (yatsar)
B’. Surely I make/do it.
The structure of this little four-part declaration implies several things:
First, the parallels of A and A’ are intriguing. A is about God’s speech, His Word. But A’ is not a linguistic verb, but a verb of craftsmanship, the verb used to describe Yahweh’s “pottering” in the garden to make Adam (Genesis 2:7). The structural parallel suggests a particular way to conceive of speech: Language is a “formation.” It is obviously that in the sense that we have to take the clay of language and arrange it into a cohesive, useful, and beautiful form. Language is a kind of pottering.
In context, the speech of God is about His plans for the future. That is a kind of formation: We formulate plans for the future, an imagined portrait of a different world. But that formulation takes a linguistic form, for God and for us.
Second, the sequence from A’ to B’ is notable. God’s plans are described by a verb of craftsmanship. He sculpts and molds His plans. Before He begins “doing/making” them, they are already made, made (if we read back to A) in speech. Making/doing is the implementation of what is already sculpted in language.
Finally, if we can press an already speculative meditation harder, we might see here a proto-Trinitarian pattern. Yahweh speaks and then makes it happen, and we know that the Word by which He speaks is the living Word, the second person of the Trinity. But the Word is elaborated here with a verb referring to pottery; the living Word is the sculpture of the Father, the eternal image, as Hebrews says. The Son is, as many medievals said, the “art” of the Father, His handiwork, a product of His eternal craftsmanship. And, since the verb yatsar is also used for the formation of Adam, we can also speculate that the formed Adam is specifically modeled on the molded Speech of the Father.
posted by Peter J. Leithart on Thursday, October 18, 2012 at 8:17 am
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