Between Babel and Beast
(America and Empires in Biblical Perspective)

The Glory of Kings: A Festschrift for James B. Jordan

Fyodor Dostoevsky
(Christian Encounters Series)

Athanasius
(Foundations of Theological Exegesis and Christian Spirituality)

The Four: A Survey of the Gospels

Defending Constantine: The Twilight of an Empire and the Dawn of Christendom

From Behind the Veil: The Epistles of John

Deep Exegesis:The Mystery of Reading Scripture

1 & 2 Kings
Brazos Theological Commentary

The Promise Of His Appearing: An Exposition Of Second Peter

A Great Mystery: Fourteen Wedding Sermons

Deep Comedy: Trinity, Tragedy, And Hope In Western Literature

Miniatures & Morals: The Christian Novels of Jane Austen

The Priesthood of the Plebs: A Theology of Baptism

A Son To Me: An Exposition of 1 & 2 Samuel

From Silence to Song: The Davidic Liturgical Revolution

Ascent to Love: A Guide to Dante's Divine Comedy

Blessed Are the Hungry: Meditations on the Lord's Supper

A House For My Name: A Survey of the Old Testament

Heroes of the City of Man: A Christian Guide to Select Ancient Literature

Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays

Wise Words: Family Stories That Bring the Proverbs to Life

The Kingdom and the Power: Rediscovering the Centrality of the Church
In her TNR review of Andrew Frisardi’s translation of Dante’s Vita Nova, Helen Vendler observes that Dante’s autobiographical cycle of prose and poems was not published until 1576, “almost three hundred years after its composition.”
How was the Comedy understood in its absence? Beatrice appears in the Comedy of course, but would anyone know who Beatrice was without access to the Vita Nuova? Various theories would have been developed about the nine-fold structure of each zone of the afterworld, but no one would have known what Dante tells us in the Vita Nuova – that he first saw Beatrice at the age of 9, saw her 9 years later, considered her a 9 since she was the Trinity cubed, a miracle of 3 x 3. Dante ends the Vita Nuova declaring his ambition to write a poem worthy of his beloved. Did readers of the Comedy between Dante and 1576 realize they were reading a cosmic love poem?
Update: Andrew Frisardi now informs me that Vendler was mistaken about the Vita Nuova. It was first printed in 1576, but was available earlier. So, never mind.
posted by Peter J. Leithart on Thursday, October 18, 2012 at 4:37 am
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