Between Babel and Beast
(America and Empires in Biblical Perspective)

The Glory of Kings: A Festschrift for James B. Jordan

Fyodor Dostoevsky
(Christian Encounters Series)

Athanasius
(Foundations of Theological Exegesis and Christian Spirituality)

The Four: A Survey of the Gospels

Defending Constantine: The Twilight of an Empire and the Dawn of Christendom

From Behind the Veil: The Epistles of John

Deep Exegesis:The Mystery of Reading Scripture

1 & 2 Kings
Brazos Theological Commentary

The Promise Of His Appearing: An Exposition Of Second Peter

A Great Mystery: Fourteen Wedding Sermons

Deep Comedy: Trinity, Tragedy, And Hope In Western Literature

Miniatures & Morals: The Christian Novels of Jane Austen

The Priesthood of the Plebs: A Theology of Baptism

A Son To Me: An Exposition of 1 & 2 Samuel

From Silence to Song: The Davidic Liturgical Revolution

Ascent to Love: A Guide to Dante's Divine Comedy

Blessed Are the Hungry: Meditations on the Lord's Supper

A House For My Name: A Survey of the Old Testament

Heroes of the City of Man: A Christian Guide to Select Ancient Literature

Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays

Wise Words: Family Stories That Bring the Proverbs to Life

The Kingdom and the Power: Rediscovering the Centrality of the Church
At the beginning of his 2011 The Kingdom and the Glory: For a Theological Genealogy of Economy and Government (Meridian: Crossing Aesthetics), a sequel to Homo Sacer: Sovereign Power and Bare Life (Meridian: Crossing Aesthetics)
, Girgio Agamben raises the question that, he thinks, students of political ceremonial (like Ernst Kantorowicz) fail to ask: “Why does power need glory? If it is essentially force and capacity for action and government, why does it assume the rigid, cumbersome and ‘glorious’ form of ceremonies, acclamations, and protocols? WHat is the relation between economy and Glory?”
His answer states the fascinating thesis of the book:
“The analysis of doxologies and liturgical acclamations, of ministries and angelical hymns turned out to be more useful for the understanding of the structures and functioning of power than many pseudo-philosophical analyse of popular sovereignty, the rule of law, or the communicative procedures that regulate the formation of public opinion and political will.” He acknowledges that “Identifying in Glory the central mystery of power and interrogating the indissoluble nexus that links it to government and oikonomia will seem an obsolete procedure to some.” But Agamben argues on the contrary that “the function of acclamations and Glory, in the modern form of public opinion and consensus, is still at the center of the political apparatuses of contemporary democracies.”
The media’s power is precisely here: Media have power “not only because they enable the control and government of public opinion, but also and above all because they manage and dispense Glory, the acclamative and doxological aspect of power that seemed to have disappeared in modernity. The society of the spectacle . . . is, from this point of view, a society in which power in its ‘glorious’ aspect becomes indiscernible from oikonomia and government. To have completely integrated Glory with oikonomia in the accalamative form of consensus is, more specifically, the specific task carried out by contemporary democracies and their government by consensus,” a notion that Agamben says originated not with the Greeks but “in the dry Latin of medieval and baroque treatises on the divinegovernment of the world” (p. xii).
It’s an extreme “Protestantism” – the penetration diffusion of Glory once contained in sacramental ceremonies into the whole of society.
posted by Peter J. Leithart on Wednesday, April 25, 2012 at 4:17 pm
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