Between Babel and Beast
(America and Empires in Biblical Perspective)

The Glory of Kings: A Festschrift for James B. Jordan

Fyodor Dostoevsky
(Christian Encounters Series)

Athanasius
(Foundations of Theological Exegesis and Christian Spirituality)

The Four: A Survey of the Gospels

Defending Constantine: The Twilight of an Empire and the Dawn of Christendom

From Behind the Veil: The Epistles of John

Deep Exegesis:The Mystery of Reading Scripture

1 & 2 Kings
Brazos Theological Commentary

The Promise Of His Appearing: An Exposition Of Second Peter

A Great Mystery: Fourteen Wedding Sermons

Deep Comedy: Trinity, Tragedy, And Hope In Western Literature

Miniatures & Morals: The Christian Novels of Jane Austen

The Priesthood of the Plebs: A Theology of Baptism

A Son To Me: An Exposition of 1 & 2 Samuel

From Silence to Song: The Davidic Liturgical Revolution

Ascent to Love: A Guide to Dante's Divine Comedy

Blessed Are the Hungry: Meditations on the Lord's Supper

A House For My Name: A Survey of the Old Testament

Heroes of the City of Man: A Christian Guide to Select Ancient Literature

Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays

Wise Words: Family Stories That Bring the Proverbs to Life

The Kingdom and the Power: Rediscovering the Centrality of the Church
Josh Gibbs demurs on my endorsement of Tree of Life:
“I found much to like in The Tree of Life, but a few things stick in my craw. First and foremost the fact that Zbigniew Preisner’s “Lacrimosa” plays over images of the cosmos beginning. What is a song from a requiem doing when the outpouring of Triune love generates all of creation? Are creation and the Fall the same event? The comfort which Malick’s God seems to offer the O’Briens is that suffering and loss are woven into the blessed creation week, although we’re left to wonder, given that the creation is an outpouring of the Almighty, if suffering and loss are inherent within God. The suffering of the O’Briens might then be seen as a reunion with the uncreated suffering of God. The suffering of Christ is not necessary for consolation, merely a recognition that they’re at home within an eternally suffering universe- accurately mirroring the whole creation.
“While the film has a few nods to Job, the response of God in The Tree of Life is firmly planted in God’s first speech to Job. Nothing of God’s second speech makes it into the film. However, in the book of Job, neither God nor Job seem satisfied to set the consolation of the suffering solely upon the sublime mystery of creation. God presses on to describe His power over death and Satan, to show that they are the playthings of His angels.”
posted by Peter J. Leithart on Friday, July 22, 2011 at 4:17 am
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