Between Babel and Beast
(America and Empires in Biblical Perspective)

The Glory of Kings: A Festschrift for James B. Jordan

Fyodor Dostoevsky
(Christian Encounters Series)

Athanasius
(Foundations of Theological Exegesis and Christian Spirituality)

The Four: A Survey of the Gospels

Defending Constantine: The Twilight of an Empire and the Dawn of Christendom

From Behind the Veil: The Epistles of John

Deep Exegesis:The Mystery of Reading Scripture

1 & 2 Kings
Brazos Theological Commentary

The Promise Of His Appearing: An Exposition Of Second Peter

A Great Mystery: Fourteen Wedding Sermons

Deep Comedy: Trinity, Tragedy, And Hope In Western Literature

Miniatures & Morals: The Christian Novels of Jane Austen

The Priesthood of the Plebs: A Theology of Baptism

A Son To Me: An Exposition of 1 & 2 Samuel

From Silence to Song: The Davidic Liturgical Revolution

Ascent to Love: A Guide to Dante's Divine Comedy

Blessed Are the Hungry: Meditations on the Lord's Supper

A House For My Name: A Survey of the Old Testament

Heroes of the City of Man: A Christian Guide to Select Ancient Literature

Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays

Wise Words: Family Stories That Bring the Proverbs to Life

The Kingdom and the Power: Rediscovering the Centrality of the Church
In her essay “On Interpretation,” Susan Sontag argues that interpretation that seeks the “meaning” of a work of art is always destructive. She says, “It is always the case that interpretation of this type indicates dissatisfaction (conscious or unconscious) with the work, a wish to replace it with something else. Interpretation, based on the highly dubious theory that a work of art is composed of items of content, violates art. It makes art into an article for use, for arrangement into a mental scheme of categories.” Instead of “decoding” or “searching for meaning,” the critic should be attending to the formal features and the effect of a work of art.
If Sontag means that there is a necessary moment of receptivity in any response to a work of art, of course she’s right. And she’s right too that responses to art can become so larded over with interpretations that the work gets lost. But renouncing the search for meaning as such seems foolhardy and nearly impossible. As soon as we talk about art, we’re providing an “interpretation” of some sort.
And we cannot help talking about art.
posted by Peter J. Leithart on Monday, March 21, 2011 at 6:33 am
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