
The Glory of Kings: A Festschrift for James B. Jordan

Fyodor Dostoevsky
(Christian Encounters Series)

Athanasius
(Foundations of Theological Exegesis and Christian Spirituality)

The Four: A Survey of the Gospels

Defending Constantine: The Twilight of an Empire and the Dawn of Christendom

From Behind the Veil: The Epistles of John

Deep Exegesis:The Mystery of Reading Scripture

1 & 2 Kings
Brazos Theological Commentary

The Promise Of His Appearing: An Exposition Of Second Peter

A Great Mystery: Fourteen Wedding Sermons

Deep Comedy: Trinity, Tragedy, And Hope In Western Literature

Miniatures & Morals: The Christian Novels of Jane Austen

The Priesthood of the Plebs: A Theology of Baptism

A Son To Me: An Exposition of 1 & 2 Samuel

From Silence to Song: The Davidic Liturgical Revolution

Ascent to Love: A Guide to Dante's Divine Comedy

Blessed Are the Hungry: Meditations on the Lord's Supper

A House For My Name: A Survey of the Old Testament

Heroes of the City of Man: A Christian Guide to Select Ancient Literature

Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays

Wise Words: Family Stories That Bring the Proverbs to Life

The Kingdom and the Power: Rediscovering the Centrality of the Church
John Sawyer (The Fifth Gospel: Isaiah in the History of Christianity) summarizes the uses that Christians have made of the “ox and ass” of Isaiah 1:3: “Some commentators like Gregory of Nazianzus . . . interpret the ox as a symbol of the Jews and the ass as the gentiles loaded with the sins of idolatry, so that Isaiah’s prophecy implies that all humanity will be free when the Messiah comes. Others, including Origen and Jerome, found in the invidious, taunting contrast between dumb animals who recognize their master in the manger, and Israel who ‘does not know, my people do not understand,’ a proof-text about the blindness and obduracy of the Jews who reject Christ.” Jerome also links 1:3 to Isaiah 32:20, which envisions ox and ass roaming free in a restored land. He notes the prohibition of mixing ox and ass in Deuteronomy 22:10, and “concludes that in the new age people will no longer be bound by the law, a further argument for the rejection of the Jews and Judaism.”
In Christian art, the ox is often depicted as respectful toward the Christ in the manger, while the ass is distracted and “embodied materialism and the inability to appreciate the miracle of Christ’s birth.”
posted by Peter J. Leithart on Saturday, September 4, 2010 at 8:06 am
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