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The Glory of Kings: A Festschrift for James B. Jordan
Fyodor Dostoevsky
(Christian Encounters Series)
Athanasius
(Foundations of Theological Exegesis and Christian Spirituality)
The Four: A Survey of the Gospels
Defending Constantine: The Twilight of an Empire and the Dawn of Christendom
From Behind the Veil: The Epistles of John
Deep Exegesis:The Mystery of Reading Scripture
1 & 2 Kings
Brazos Theological Commentary
The Promise Of His Appearing: An Exposition Of Second Peter
A Great Mystery: Fourteen Wedding Sermons
Deep Comedy: Trinity, Tragedy, And Hope In Western Literature
Miniatures & Morals: The Christian Novels of Jane Austen
The Priesthood of the Plebs: A Theology of Baptism
A Son To Me: An Exposition of 1 & 2 Samuel
From Silence to Song: The Davidic Liturgical Revolution
Ascent to Love: A Guide to Dante's Divine Comedy
Blessed Are the Hungry: Meditations on the Lord's Supper
A House For My Name: A Survey of the Old Testament
Heroes of the City of Man: A Christian Guide to Select Ancient Literature
Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays
Wise Words: Family Stories That Bring the Proverbs to Life
The Kingdom and the Power: Rediscovering the Centrality of the Church
Borrowing from the Song of Songs, Isaiah describes Judah the Bride from head to foot. He moves from head to heart to foot and back to head (1:5-6). Four body parts are mentioned (3 different, with “head” used twice). He is inspecting Judah to the four corners.
Instead of a beautiful and seductive bride, though, she has become filled with blemishes and oozing sores. The four body parts are matched by the fourfold description of her illness: wounds, bruises, puetrefying, sores (v. 6).
Judah has become completely unsound. The word is metom, and related to the root tamam, “to be complete.” She is imperfect, full of blemishes, and, unlike the Bride of the Song, wholly unsuitable as bridal food for Yahweh.
posted by Peter J. Leithart on Saturday, August 28, 2010 at 8:44 am
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