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The Glory of Kings: A Festschrift for James B. Jordan
Fyodor Dostoevsky
(Christian Encounters Series)
Athanasius
(Foundations of Theological Exegesis and Christian Spirituality)
The Four: A Survey of the Gospels
Defending Constantine: The Twilight of an Empire and the Dawn of Christendom
From Behind the Veil: The Epistles of John
Deep Exegesis:The Mystery of Reading Scripture
1 & 2 Kings
Brazos Theological Commentary
The Promise Of His Appearing: An Exposition Of Second Peter
A Great Mystery: Fourteen Wedding Sermons
Deep Comedy: Trinity, Tragedy, And Hope In Western Literature
Miniatures & Morals: The Christian Novels of Jane Austen
The Priesthood of the Plebs: A Theology of Baptism
A Son To Me: An Exposition of 1 & 2 Samuel
From Silence to Song: The Davidic Liturgical Revolution
Ascent to Love: A Guide to Dante's Divine Comedy
Blessed Are the Hungry: Meditations on the Lord's Supper
A House For My Name: A Survey of the Old Testament
Heroes of the City of Man: A Christian Guide to Select Ancient Literature
Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays
Wise Words: Family Stories That Bring the Proverbs to Life
The Kingdom and the Power: Rediscovering the Centrality of the Church
Raymond Jacques Tournay argues convincingly that the cautions about “awakening love” in the Song refer to the sleeping bridegroom, rather than the sleeping bride. The motif comes to a conclusion in 8:5, where the bride says that she awakened the lover under the apple tree.
Which might mean: The Song is set between Eve’s creation and Adam’s awakening. Or, the Song is set on Holy Saturday. Or, the Song is set between Jesus’ “building” of His bride and His “awakening” in judgment. Or, tropologically, between our entry into the king’s chambers and the wedding feast.
posted by Peter J. Leithart on Friday, July 23, 2010 at 4:47 am
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