« Previous Post | Next Post »
« Previous post in category | Next post in category »

Bible - OT - Song of Songs: Turn from allegory

[Print] | [PDF] | [Email]

Stephen D. Moore (in an essay on “The Song of Songs in the History of Sexuality”) notes that the shift from allegorical to literal/sexual interpretations of the Song is connected to shifts in understanding of male love. Patristic and medieval commentators on the Song easily took the feminine voice of the Song as the voice of their own usually male souls, with results that often leave modern reader queasy. Moore puts it in a typically provocative form, but the point stands: The allegorical interpretation thrusts into plain view a relationship ordinarily closeted. It ‘outs’ the male believer.”

Nineteenth and twentieth-century commentators, working from the sharply defined sexual roles of the Victorian era, recoil against the confusions of the allegorical method, and turn the Song into a celebration of heterosexual love. Moore nicely shows, however, that this quickly turns into a new allegorism of its own, as each metaphor is unpacked as a euphemism: “these ‘new’ allegorists give a sexual reading even to details that are ostensibly nonsexual.”

posted by Peter J. Leithart on Tuesday, March 16, 2010 at 7:55 am

Permission is given to use material on this site, provided the source is cited, blog entries are republished in full, and the author is notified in advance.

« Previous Post | Next Post » « Previous post in category | Next post in category »

Bible - OT - Song of Songs: Turn from allegory

« Previous Post | Next Post »
« Previous post in category | Next post in category »