
The Glory of Kings: A Festschrift for James B. Jordan

Fyodor Dostoevsky
(Christian Encounters Series)

Athanasius
(Foundations of Theological Exegesis and Christian Spirituality)

The Four: A Survey of the Gospels

Defending Constantine: The Twilight of an Empire and the Dawn of Christendom

From Behind the Veil: The Epistles of John

Deep Exegesis:The Mystery of Reading Scripture

1 & 2 Kings
Brazos Theological Commentary

The Promise Of His Appearing: An Exposition Of Second Peter

A Great Mystery: Fourteen Wedding Sermons

Deep Comedy: Trinity, Tragedy, And Hope In Western Literature

Miniatures & Morals: The Christian Novels of Jane Austen

The Priesthood of the Plebs: A Theology of Baptism

A Son To Me: An Exposition of 1 & 2 Samuel

From Silence to Song: The Davidic Liturgical Revolution

Ascent to Love: A Guide to Dante's Divine Comedy

Blessed Are the Hungry: Meditations on the Lord's Supper

A House For My Name: A Survey of the Old Testament

Heroes of the City of Man: A Christian Guide to Select Ancient Literature

Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays

Wise Words: Family Stories That Bring the Proverbs to Life

The Kingdom and the Power: Rediscovering the Centrality of the Church
In an 1837 exchange on the interpretation of the Song of Songs in The Congregational Magazine, one James Bennett argued that the Song had to be interpreted allegorically because a literal interpretation made the woman sound immodest: “What writer, with the feelings, or the reason, of a man, would begin a poem on his fair one by describing her as courting him?” This is not a cultural bias, he insisted: “It would be more abhorrent from the secluded, submissive character of Eastern brides to ask a gentlemen to come and kiss them, than it would be from the dignified confidence of British women.”
This is not cultural but natural: “Though men like to court, they do not like to be courted; and while they think it cruel to be rejected when they could, they without mercy reject her who courts them. . . . No man, therefore, in his senses, would think to compliment his fair one by writing of her, to her, as if she had lost her retiring modest, her female dignity, and degraded herself by doing that for which every man would despise her . . . . Till fishes mount to sing with larks on the shady boughs, and nightingales dive to the ocean’s depths to court the whales, no man, of any age, of any clime, of any rank, can be supposed to write ordinary love-songs in such a style.”
posted by Peter J. Leithart on Tuesday, March 16, 2010 at 8:06 am
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