
Writer of Fancy: The Playful Piety of Jane Austen

1 & 2 Kings
Brazos Theological Commentary

The Promise Of His Appearing: An Exposition Of Second Peter

A Great Mystery: Fourteen Wedding Sermons

Deep Comedy: Trinity, Tragedy, And Hope In Western Literature

Miniatures & Morals: The Christian Novels of Jane Austen

The Priesthood of the Plebs: A Theology of Baptism

A Son To Me: An Exposition of 1 & 2 Samuel

From Silence to Song: The Davidic Liturgical Revolution

Ascent to Love: A Guide to Dante's Divine Comedy

Blessed Are the Hungry: Meditations on the Lord's Supper

A House For My Name: A Survey of the Old Testament

Heroes of the City of Man: A Christian Guide to Select Ancient Literature

Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays

Wise Words: Family Stories That Bring the Proverbs to Life

The Kingdom and the Power: Rediscovering the Centrality of the Church
Anthony Thiselton (New Horizons in Hermeneutics) notes that “It may readily be granted, without any difficulty that some (or even in principle many) biblical texts do function in ways which invite a reader-oriented hermeneutic.”
A very wise statement, that. Wise, first, in acknowledging the strength of reader-oriented modes of interpretation; wise, second, in recognizing that text differs from text, and that imposing a single hermeneutical grid or method on all is ideology not interpretation.
Hence: Joyce and many modernists produce texts that are radically underdetermined. Readers don’t merely discern the coherence, but actually do provide whatever coherence the text has. And that’s by authorial design. Hence also: If the short ending of Mark is right, that’s a classic example: The gospel leaves the reader hanging, forces a decision upon him.
posted by Peter J. Leithart on Thursday, August 14, 2008 at 1:23 pm
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