
Writer of Fancy: The Playful Piety of Jane Austen

1 & 2 Kings
Brazos Theological Commentary

The Promise Of His Appearing: An Exposition Of Second Peter

A Great Mystery: Fourteen Wedding Sermons

Deep Comedy: Trinity, Tragedy, And Hope In Western Literature

Miniatures & Morals: The Christian Novels of Jane Austen

The Priesthood of the Plebs: A Theology of Baptism

A Son To Me: An Exposition of 1 & 2 Samuel

From Silence to Song: The Davidic Liturgical Revolution

Ascent to Love: A Guide to Dante's Divine Comedy

Blessed Are the Hungry: Meditations on the Lord's Supper

A House For My Name: A Survey of the Old Testament

Heroes of the City of Man: A Christian Guide to Select Ancient Literature

Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays

Wise Words: Family Stories That Bring the Proverbs to Life

The Kingdom and the Power: Rediscovering the Centrality of the Church
In an essay on M. H. Abrams’s Natural Supernaturalism, Wayne Booth praises the style of the book, but more: “I must emphasize that I am not simply praising Abrams’ style. i am making what I take to be a much more risky claim: that a style that is good in the way Abrams’ style is good not only tends to carry us with him: it ought to. It carries a legitimate warrant for the author’s theses. To write well in this way helps prove your case, though of course it cannot go it alone. . . . The fact that if ‘a subject’ - whatever that means - enables a critic to write well about it, without requiring him to rely on easily separable blandishments and charm, the mere production of hundreds of pages of well-written sense about it constitutes as good a test as we have for his these. If the theses were very weak, we have a right to conclude, a man like Abrams (as implied in his style) would have discovered the weakness as he tried to write honest sentences about them; and if he became dishonest and tried to fake, it would somehow show.”
posted by Peter J. Leithart on Saturday, August 9, 2008 at 5:04 pm
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