
Writer of Fancy: The Playful Piety of Jane Austen

1 & 2 Kings
Brazos Theological Commentary

The Promise Of His Appearing: An Exposition Of Second Peter

A Great Mystery: Fourteen Wedding Sermons

Deep Comedy: Trinity, Tragedy, And Hope In Western Literature

Miniatures & Morals: The Christian Novels of Jane Austen

The Priesthood of the Plebs: A Theology of Baptism

A Son To Me: An Exposition of 1 & 2 Samuel

From Silence to Song: The Davidic Liturgical Revolution

Ascent to Love: A Guide to Dante's Divine Comedy

Blessed Are the Hungry: Meditations on the Lord's Supper

A House For My Name: A Survey of the Old Testament

Heroes of the City of Man: A Christian Guide to Select Ancient Literature

Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays

Wise Words: Family Stories That Bring the Proverbs to Life

The Kingdom and the Power: Rediscovering the Centrality of the Church
Desmond takes another enthralling step. If “seeing is” may be “seeing is,” then metaphor might reveal being.
“Metaphor may be a revelation of reality. Metapherein - the thing carries itself across to revelation, metaphorizes itself; this is its spread beyond univocal identity. In its self-metaphorizing, it reaches out to more, reaches into the meta, the middle. The metaphorical ‘as’ thus seeks to identify the plurivocal ‘is’ of the ‘thing’ in its otherness. Thus the thing may be, so to say, an ontological metaphor, bespeaking the power of being, and not just the human imagination. If the thing is a poiesis of the original power of being, then the metaphorical ‘as’ may well be in rapport with the ‘is’ of the thing, and rapport in an entirely realistic, though not objectivisitic, sense.” The viewpoint of the artist gets at reality better than the viewpoint of the philosopher, since the artist recognizes that things are “already charged with value.”
This goes one better than the metaphorical epistemology of Lakoff and Johnson.
posted by Peter J. Leithart on Wednesday, May 14, 2008 at 12:09 pm
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