
Writer of Fancy: The Playful Piety of Jane Austen

1 & 2 Kings
Brazos Theological Commentary

The Promise Of His Appearing: An Exposition Of Second Peter

A Great Mystery: Fourteen Wedding Sermons

Deep Comedy: Trinity, Tragedy, And Hope In Western Literature

Miniatures & Morals: The Christian Novels of Jane Austen

The Priesthood of the Plebs: A Theology of Baptism

A Son To Me: An Exposition of 1 & 2 Samuel

From Silence to Song: The Davidic Liturgical Revolution

Ascent to Love: A Guide to Dante's Divine Comedy

Blessed Are the Hungry: Meditations on the Lord's Supper

A House For My Name: A Survey of the Old Testament

Heroes of the City of Man: A Christian Guide to Select Ancient Literature

Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays

Wise Words: Family Stories That Bring the Proverbs to Life

The Kingdom and the Power: Rediscovering the Centrality of the Church
In his 1836 book, Contrasts, architect, designer, and social critic A. W. Pugin contrasts Bentham’s “panopticon” (Foucaultian symbol of modern surveillance and the carceral society) with an idealized Gothic “Ancient Poor House.”
In his recent book on medievalism in modern England, Michael Alexander notes that Pugin was one of the first to recognize the link between architectural and society, and that Pugin’s critique was advanced in various ways by Disreli, Ruskin, Dickens, Engels, Marx, and William Morris.
And, in one respect at least, Foucault.
posted by Peter J. Leithart on Friday, May 9, 2008 at 8:51 pm
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