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Deep Exegesis:The Mystery of Reading Scripture
Writer of Fancy: The Playful Piety of Jane Austen
1 & 2 Kings
Brazos Theological Commentary
The Promise Of His Appearing: An Exposition Of Second Peter
A Great Mystery: Fourteen Wedding Sermons
Deep Comedy: Trinity, Tragedy, And Hope In Western Literature
Miniatures & Morals: The Christian Novels of Jane Austen
The Priesthood of the Plebs: A Theology of Baptism
A Son To Me: An Exposition of 1 & 2 Samuel
From Silence to Song: The Davidic Liturgical Revolution
Ascent to Love: A Guide to Dante's Divine Comedy
Blessed Are the Hungry: Meditations on the Lord's Supper
A House For My Name: A Survey of the Old Testament
Heroes of the City of Man: A Christian Guide to Select Ancient Literature
Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays
Wise Words: Family Stories That Bring the Proverbs to Life
The Kingdom and the Power: Rediscovering the Centrality of the Church
Ruth begins with death - the death of the land in famine, the death of exile, the death of Elimelech, the death of Naomi’s sons, the death of Naomi’s future. Naomi goes out full, and comes back empty. Ruth 1 is a perfect tragic story, a story of endings and emptyings.
But it is chapter 1, and the author wants us to realize that this series of deaths is not an end. The end of chapter 1 is a beginning, as Naomi and Ruth return to Bethlehem “at the beginning of the barley harvest” (v. 22). The author makes his point with a touch so light as to be nearly imperceptible, but the import of that “beginning” is as weighty as anything in Scripture.
“In the beginning” and “once upon a time” make rational sense as the beginning of a story. But recognizing a beginning on the other side of an end is an act of faith.
posted by Peter J. Leithart on Thursday, February 7, 2008 at 5:33 am
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