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Writer of Fancy: The Playful Piety of Jane Austen
1 & 2 Kings
Brazos Theological Commentary
The Promise Of His Appearing: An Exposition Of Second Peter
A Great Mystery: Fourteen Wedding Sermons
Deep Comedy: Trinity, Tragedy, And Hope In Western Literature
Miniatures & Morals: The Christian Novels of Jane Austen
The Priesthood of the Plebs: A Theology of Baptism
A Son To Me: An Exposition of 1 & 2 Samuel
From Silence to Song: The Davidic Liturgical Revolution
Ascent to Love: A Guide to Dante's Divine Comedy
Blessed Are the Hungry: Meditations on the Lord's Supper
A House For My Name: A Survey of the Old Testament
Heroes of the City of Man: A Christian Guide to Select Ancient Literature
Brightest Heaven of Invention: A Christian Guide To Six Shakespeare Plays
Wise Words: Family Stories That Bring the Proverbs to Life
The Kingdom and the Power: Rediscovering the Centrality of the Church
Mark is known for the understated irony of his gospel, but there is a large-scale irony overarching the book that is worthy of Sophocles. Readers know from the first verse of the gospel that Jesus is Son of God, and that title is used periodically through the gospel by the Father and by demons. But no human beings recognize Jesus as Son until the centurion at the cross.
There is the ironic distance between our knowledge and the knowledge of the characters in the story. But that irony is eventually doubled back on the reader: Would we recognize Jesus as Son of God while He’s dying in anguish?
posted by Peter J. Leithart on Tuesday, February 14, 2006 at 8:45 am
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